text/microsoft-resx 2.0 System.Resources.ResXResourceReader, System.Windows.Forms, Version=4.0.0.0, Culture=neutral, PublicKeyToken=b77a5c561934e089 System.Resources.ResXResourceWriter, System.Windows.Forms, Version=4.0.0.0, Culture=neutral, PublicKeyToken=b77a5c561934e089 The deblocking filter removes a common type of compression artifact. If your source exhibits 'blockiness', this filter may help clean it up. Choose decomb or deinterlace filter options. The decomb filter selectively deinterlaces frames that appear to be interlaced. This will preserve quality in frames that are not interlaced. The classic deinterlace filter is applied to all frames. Frames that are not interlaced will suffer some quality degradation. Denoise filtering reduces or removes the appearance of noise and grain. Film grain and other types of high frequency noise are difficult to compress. Using this filter on such sources can result in smaller file sizes. This filter removes 'combing' artifacts that are the result of telecining. Telecining is a process that adjusts film framerates that are 24fps to NTSC video frame rates which are 30fps. If enabled, filter colour components out of video. This is the location and filename where your encoded file will be saved. Add iPod Atom needed by some older iPods. Format to mux encoded tracks to. Optimise the layout of the MP4 file for progressive download. This allows a player to initiate playback before downloading the entire file. Choose a start and end point of the source title to encode. This can be in chapters, seconds or frames. Set the title to encode. By default, HandBrake will try and select the main title, or the longest if one isn't found. None - Force pixel aspect ratio to 1:1. Loose - Align dimensions to chosen 'Alignment' value and pick pixel aspect ratio that preserves the original display aspect ratio Strict - Keep original source dimensions and pixel aspect ratio Automatically crop black borders around edges of the video. Crop the video from the bottom. Crop the video from the left side. Crop the video from the right side. Crop the video from the top. This is the height that the video will be stored at. The actual display dimensions will differ if the pixel aspect ratio is not 1:1. Manually crop the video. Align storage dimensions to multiples of this value. This setting is only necessary for compatibility with some devices. You should use 2 unless you experience compatibility issues. Pixel aspect defines the shape of the pixels. A 1:1 ratio defines a square pixel. Other values define rectangular shapes. Players will scale the image in order to achieve the specified aspect. This is the width that the video will be stored at. The actual display dimensions will differ if the pixel aspect ratio is not 1:1. Delete the job from the queue. Reset job status to Waiting. Send the job back to the main window for editing. Use advanced options Tab for x264 settings. Set the average bitrate. The instantaneous bitrate can be much higher or lower at any point in time. But the average over a long duration will be the value set here. If you need to limit instantaneous bitrate, look into x264's vbv-bufsize and vbv-maxrate settings. Enables constant framerate output. Available video encoders. Tune settings to optimize for common scenarios. This can improve effeciency for particular source characteristics or set characteristics of the output file. Changes will be applied after the preset but before all other parameters. Additional encoder settings. Colon separated list of encoder options. Reduce decoder CPU usage. Set this if your device is struggling to play the output (dropped frames). Output framerate. 'Same as source' is recommended. If your source video has a variable framerate, 'Same as source' will preserve it. Sets and ensures compliance with the specified level. Overrides all other settings. Enables variable framerate output with a peak rate determined by the framerate setting. Adjusts encoder settings to trade off compression efficiency against encoding speed. This establishes your default encoder settings. Tunes, profiles, levels and advanced option string will be applied to this. You should generally set this option to the slowest you can bear since slower settings will result in better quality or smaller files. Sets and ensures compliance with the specified profile. Overrides all other settings. Set the desired quality factor. The encoder targets a certain quality. The scale used by each video encoder is different. x264's scale is logarithmic and lower values correspond to higher quality. So small decreases in value will result in progressively larger increases in the resulting file size. A value of 0 means lossless and will result in a file size that is larger than the original source, unless the source was also lossless. Suggested values are: 18 to 20 for standard definition sources and 20 to 23 for high definition sources. FFMpeg's and Theora's scale is more linear. These encoders do not have a lossless mode. During the 1st pass of a 2 pass encode, use settings that speed things along. Perform 2 Pass Encoding. The 'Bitrate' option is prerequisite. During the 1st pass, statistics about the video are collected. Then in the second pass, those statistics are used to make bitrate allocation decisions. Enables variable framerate output. VFR is not compatible with some players.