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-rw-r--r--win/C#/frmMain.resx93
1 files changed, 6 insertions, 87 deletions
diff --git a/win/C#/frmMain.resx b/win/C#/frmMain.resx
index 00fd53019..9b96457b9 100644
--- a/win/C#/frmMain.resx
+++ b/win/C#/frmMain.resx
@@ -152,93 +152,12 @@ Make sure you have selected a "Title" from the "Source" box above otherwise
the list will not be populated with the correct amount of chapters.
Note: Do not change any of the chapter numbers!</value>
</data>
- <data name="check_Cabac.ToolTip" xml:space="preserve">
- <value>CABAC, or context adaptive binary arithmetic coding, is used by x264 to reduce the bitrate needed for a given quality by 15%.
-This makes it very cool and very useful, and it should be left on whenever possible. However, it is incompatible with the iPod 5.5G, and makes the AppleTV struggle.
-So turn it off for those. CABAC is a kind of entropy coding, which means that it compresses data by making shorthand symbols to represent long streams of data.
-The "entropy" part means that the symbols it uses the most often are the smallest.
-When you disable CABAC, another entropy coding scheme gets enabled, called CAVLC (context adaptive variable-length coding).
-CAVLC is a lot less efficient, which is why it needs 15% more bitrate to achieve the same quality as CABAC.</value>
- </data>
- <data name="drop_deblockBeta.ToolTip" xml:space="preserve">
- <value>x264 includes an in-loop deblocking filter.
-What this means is that blocky compression artifacts are smoothed away when you play back the video.
-It has two settings: strength and threshold, just like a simple filter in Photoshop.
-Strength controls the amount of deblocking applied to the whole frame.
-If you drop down below 0, you reduce the amount of blurring.
-Go too negative, and you'll get an effect somewhat like oversharpening an image.
-Go into positive values, and the image may become too soft.
-Threshold controls how sensitive the filter is to whether something in a block is detail that needs to be preserved: lower numbers blur details less.
-The default deblocking values are 0 and 0. This does not mean zero deblocking.
-It means x264 will apply the regular deblocking strength and thresholds the codec authors have selected as working the best in most cases.
-While many, many people stick with the default deblocking values of 0,0, other people disagree.
-Some prefer a slightly less blurred image for live action material, and use values like -2,-1 or -2,-2. Others will raise it to 1,1 or even 3,3 for animation.
-While the values for each setting extend from -6 to 6, the consensus is that going below -3 or above 3 is worthless.
-</value>
- </data>
- <data name="drop_deblockAlpha.ToolTip" xml:space="preserve">
- <value>x264 includes an in-loop deblocking filter.
-What this means is that blocky compression artifacts are smoothed away when you play back the video.
-It has two settings: strength and threshold, just like a simple filter in Photoshop.
-Strength controls the amount of deblocking applied to the whole frame.
-If you drop down below 0, you reduce the amount of blurring.
-Go too negative, and you'll get an effect somewhat like oversharpening an image.
-Go into positive values, and the image may become too soft.
-Threshold controls how sensitive the filter is to whether something in a block is detail that needs to be preserved: lower numbers blur details less.
-The default deblocking values are 0 and 0. This does not mean zero deblocking.
-It means x264 will apply the regular deblocking strength and thresholds the codec authors have selected as working the best in most cases.
-While many, many people stick with the default deblocking values of 0,0, other people disagree.
-Some prefer a slightly less blurred image for live action material, and use values like -2,-1 or -2,-2. Others will raise it to 1,1 or even 3,3 for animation.
-While the values for each setting extend from -6 to 6, the consensus is that going below -3 or above 3 is worthless.</value>
- </data>
- <data name="check_8x8DCT.ToolTip" xml:space="preserve">
- <value>When Analysis is set to "all," checking this box lets x264 break key frames down into 8x8 blocks of pixels for analysis.
-This is a high profile feature of H.264, which makes it less compatible. It should slightly decrease bitrate or improve quality.</value>
- </data>
- <data name="drop_analysis.ToolTip" xml:space="preserve">
- <value>Analysis controls how finely x264 divides up a frame to capture detail.
-Full macroblocks are 16x16 pixels, but x264 can go down all the way to 4x4 blocks if it judges it necessary.
-By default it only breaks up key frames that much.
-To give x264 the freedom to make the best decisions for all frames, use "all" analysis.
-If you want to create a high profile H.264 video (which is less compatible with the world at large than main profile),
-also check the "8x8 DCT blocks" box to add yet another block size for analysis.</value>
- </data>
- <data name="drop_subpixelMotionEstimation.ToolTip" xml:space="preserve">
- <value>This setting is finer-grained than the motion estimation settings above.
-Instead of dealing with whole pixels, it deals with fractional pixels. 4, HandBrake's default, means looking at quarter pixels (qpel).
-Higher levels increase quality by dividing the pixel more, but take longer to encode.
-Using 6 or 7 turns unlocks the ability to turn on more advanced features like B-Frame rate distortion.</value>
- </data>
- <data name="drop_MotionEstimationRange.ToolTip" xml:space="preserve">
- <value>This range is the radius, in pixels, x264 should use for motion estimation searches.
-It only has an effect when you use Uneven Multi-Hexagonal or Exhaustive searching.
-24, 32, and 64 are good values.</value>
- </data>
- <data name="drop_MotionEstimationMethod.ToolTip" xml:space="preserve">
- <value>This sets the shape of the area x264 searches when estimating motion.
-Your choices are a diamond, a hexagon, a more complex hexagonal shape, or searching the entire frame.
-You are best off using Uneven Multi-Hexagonal searching.</value>
- </data>
- <data name="check_pyrmidalBFrames.ToolTip" xml:space="preserve">
- <value>B-frame pyramids are a High Profile feature.
-This means that if you enable it, YOUR VIDEO WILL NOT PLAY IN QUICKTIME.
-Pyramidal B-frames mean that B-frames don't just reference surrounding reference frames —
- instead, it also treats a previous B-frame as a reference, improving quality/lowering bitrate at the expense of complexity.
-Logically, to reference an earlier B-frame, you must tell x264 to use at least 2 B-frames.</value>
- </data>
- <data name="check_weightedBFrames.ToolTip" xml:space="preserve">
- <value>With weighted B-frame prediction enabled, x264 will consider how far away the previous and next P-frames are,
-before deciding to make a frame a B-frame.
-The effect is that x264 will use fewer B-frames when they'd look bad — when it can't accurately predict motion.
-Obviously, this only works when you tell x264 to use more than 1 B-frame. </value>
- </data>
- <data name="drop_directPrediction.ToolTip" xml:space="preserve">
- <value>Direct prediction tells x264 what method to use when guessing motion for certain parts of a B-frame.
-It can either look at other parts of the current frame (spatial) or compare against the preceding frame (temporal).
-You're best off setting this to automatic, so x264 decides which method is best on its own.
-Don't select none assuming it will be faster; instead it will take longer and look worse.
-If you're going to choose between spatial and temporal, spatial is usually better. </value>
- </data>
+ <metadata name="number.UserAddedColumn" type="System.Boolean, mscorlib, Version=2.0.0.0, Culture=neutral, PublicKeyToken=b77a5c561934e089">
+ <value>True</value>
+ </metadata>
+ <metadata name="name.UserAddedColumn" type="System.Boolean, mscorlib, Version=2.0.0.0, Culture=neutral, PublicKeyToken=b77a5c561934e089">
+ <value>True</value>
+ </metadata>
<metadata name="DVD_Open.TrayLocation" type="System.Drawing.Point, System.Drawing, Version=2.0.0.0, Culture=neutral, PublicKeyToken=b03f5f7f11d50a3a">
<value>232, 15</value>
</metadata>